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Throwback Before The Force Awakens *REVISED*

So, if you are fan of the Dark or the Light, lightsaber or blasters, you know about the new trailer that aired on Monday Night Football last week.  The trailer for The Force Awakens was one of the most anticipated commercials for the entire night.  Now, I have heard mixed feelings about this movie and it the franchise being controlled by Disney, but from what I have seen so far, the hype is truly real!  I have already gone and gotten my tickets for the premiere showing of the movie and I actually have a good feeling about this reboot of a sort.  If you haven't seen the trailer,  I will put it in the space below this paragraph, but I feel like before I begin the review it deserves a bit of time.  The trailer really hit me when the iconic song from Star Wars comes on.  I mean I have watched this trailer over ten times and each time I feel chills when I hear dun-dun-da-de-dun-dun.



Now before I begin this soundtrack review, I must say that these review will be based upon the songs as they are utilized in all three movies of the trilogy and what they entitle.

Emotions and morality are large parts of the Star Wars franchise and seem to be one of the main themes throughout the movies.  The idea of a Light and a Dark side of the Force that is determined by the moral choices and the emotions that the character exhibits and holds higher really show in the actions of the main protagonist and antagonist of the trilogy: Luke and Vader.  So if the movie is very heavily reliant on story-telling through the emotions, morality, and the "falling to the dark side" of a character/characters, then the music should have some kind of tone to it when certain events are happening or certain characters are shown.

First of all, let's talk about the emotions of the viewers themselves.  Star Wars has always started off with the same song and it serves as a enzyme for hype.  Hearing the beginning of the song and seeing the backstory of the movie scrolling across the screen pulls everyone into the mood and makes the next two hours that much more interesting.  Its orchestral instrumentation causes the song to have an upbeat tone, but even so it has parts within it that slow down and sound more serious and intriguing.  The song is the ultimate form of nostalgia and really pulls in me as a viewer, but the song isn't even the best part, it is the silence right afterwards.  That silence brings it home and pulls in my excitement and tells me to "get ready for a tale."  It is not going to be all good or all bad and it pulls me right into the story.



While it is very normal and completely not original, the one song that will always send chills down my spine is "Binary Sunset" and it is really something that I will never be able to explain.  It is just a wonderfully written song and it almost always wonderfully placed.  The song is very lighthearted and peaceful, just as the character Luke is when he looks out across the desert towards the, as the name says, binary sunset.  The song is continually used throughout the trilogy whenever the light side is present as it represent the mindset and emotions of a Jedi.  The Jedi revolve around peace, calmness, and try to refuse the dark side of humanity and the emotions that lead to the corruption of the dark side.  

The song, while peaceful and calm also has a kind of power behind it and also a longing for something.  The song is dominated by wind and string instruments, which are most often associated with forests, nature, and wind itself.  It flows unhindered and independent, just as the Jedi do.  It seems like it is searching for something and while the Jedi push away emotions and keep from corrupting themselves they still have power to them as heard by the powerful brass instruments in the background, but not any more than the dark side does, in fact, they are at a disadvantage.  One quote from Yoda explains the longing in this song, "Yes, a Jedi's strength flows from the Force. But beware of the dark side.  Anger, fear, aggression; the dark side of the Force are they.  Easily they flow, quick to join you in a fight."  It is easier for a person to take these emotions and use them.  They are always in the back of the Jedi's mind even though they push them away.  (This is an interesting idea I found while looking through some forums, the original idea holder is a person that goes by Strive-US)

Even though there is this longing at the same time I see strength within the expansion at 0:52.  I see every part of this  song embodied in Luke whenever he is fighting Vader or his own demons.




Now that I have the main song that I associate with the light side and its emotions, I want to leave the light side for a bit and move to the other side of the spectrum.  The dark side of the Force is characterized and controlled by very strong passionate emotions like fear, aggression, and anger.  Songs like "Imperial Attack" and "Imperial March - Darth Vader's Theme" are strong have very confident and powerful tones.  They are both aggressive and dark with very heavy use of percussion instruments and other dictatorship like or regal instruments like brass instruments in contrast to the light sides strings and winds.

Brass instruments are very easily associated with anything with an Imperial nature in the movie and in the real world.  Percussion and brass also have another thing in common: they are both very loud and brash.  They are almost imposing on anything that is in the background of the songs of the dark side and almost completely overwhelm any other movements that could be there.  This represents the anger, hatred, and other emotions that the dark side hold close to them.  They do not allow any other mindset to seep in for that is seen as weakness.  The Imperials impose themselves upon the worlds they control and destroy any that defy them.  Though this also brings up another point as I mentioned briefly during "Binary Sunset."  There is still a bit of wind in the background of these songs and shows that the Sith and the Jedi are not so different.  While they do have very different ideals and emotions accustomed to them, they are both having thoughts from the other side of the Force leak into their minds.  

"Imperial Attack" is from A New Hope and has only the beginnings of this aggression and anger that is characterized and accentuated by the Sith, but it seems to be lacking one of the big emotions that the Sith are supposed to have.  The instrumentation and movements are not as imposing, but this can be partially attributed to the Empire still rising.  It is not until later in the movie when the song "The Death Star" comes in that we can really hear that emotion: fear.  This is a terrifying ball of death created by the Empire for the sole purpose of destroying anyone that defies them, especially the Jedi or the Rebels.  You can hear the fear and foreboding heavily in the song, which while it is playing feels like it is weighing down on your shoulders.  Very heavily reliant on brass instruments and the slowed tempo of this song always serve to strike a sense of foreboding and fear into my heart, knowing the damage that could be done with such a weapon.  (Only the first minute of this video is "The Death Star" the rest is another song in the soundtrack called "The Stormtroopers")



As many other songs within the Star Wars trilogy, "Imperial March" is very well-known as being the theme for the main antagonist Darth Vader.  This song is pretty much the anti-"Binary Sunset" and while "Binary Sunset" is a perfect embodiment of the light side of the Force this is the dark side.  It is fast, confidant, and powerful.  It does not fear, it causes fear.  It is aggressive and moves in such a way as to make everyone know it.  The movement itself makes itself known just as Vader does whenever he comes into play, he does not sit back in the shadows, he is very actively fighting at all points throughout this trilogy and the song is a very good fit for him.  It is like they took "Imperial Attack" and pushed it up to its full potential.  It is almost as if this is the strongest point of the dark side and the Empire and whenever I hear this song I get a unnerving feeling deep within me, even though he is only one person (and not a Death Star).

Imperial Attack:



Imperial March:



Now that I have pointed out songs within both spectrum of the Star Wars universe, what does it sound like when you have the two mixed into one?  That is what "Ben Kenobi's Death" does.  The song starts out very peaceful and very "Binary Sunset"-esque, but it trades off with the basis of "The Death Star" every other minute.  Collapsing the two into one as Kenobi fights Vader and ultimately is killed.  There is this mixing of peace and aggression, calm and anger, etc.  While there are many songs that show a trend of the mixing of the two sides of the Force, I always feel very strongly with this one because of the scene with which it is matched with and the title gives away.



I really have to say that this is my favorite movie trilogy/saga because it has an amazing universe and story behind it.  The music just pulls the whole thing together and really makes the characters that much more human and really helps me get connected to them.  The struggles that the main characters (and all characters) have with their own demons really make that feeling even stronger.  The music is beautiful and very well composed.  It also has variety, which is very true of every single person.  We are all different and we each have different emotions and morals that we hold close.  So, with that said, listen to the background music and may the Force be with you.

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Horror Traditions in Insidious: Chapter 2 *REVISED*

I was looking at Netflix over the past week and I saw a movie that I have not seen in forever: Insidious: Chapter 2.  I love horror movies and the Insidious series is, in my opinion, one of the better modern horror films.  Not only did it have a chilling story and ghosts, but it also had a memorable soundtrack that only added to the entire film's unsettling tone and chills.  As I was watching it again, I also began thinking about the broad expanse that is horror and the what it takes to be a good horror soundtrack, and then, movie.

Horror, as a whole, is a very picky and interesting thing.  As one of my favorite genres, I understand the background of horror and why it is the way it is.  Yet horror movies have taken a turn for the worse in the past few years as there have been loads of them with little to no quality behind them.  It has become hard for horror fans to enjoy the movies since they do not seem to show any attempt to be unique and take horror to the next level.  Horror has always been controlled by the average person, taking their deepest fears and turning them into a situation on the big screen.  Movies with aliens in the vastness of space, demons, possessed dolls.  Many horror movies take these broad fears to bring in viewers.  Insidious: Chapter 2 takes everyone's curiosity and fear of ghosts and shows a classic example of what horror should normally be.  Movies, as a whole, have always been about unifying people and making people from different backgrounds and worlds come together into one.  As you look at the world, you can see what brings people together: disaster and fear.  Seeing others in despair and trouble causes even the most harsh and uncaring individuals to help.  So it only makes sense that a genre such as horror, which focuses on pitting characters against the common person's biggest fears, works well at doing so.

Insidious: Chapter 2 (Original Motion Picture Score) takes a more traditional approach to horror soundtracks.  Since the soundtracks for horror come from many different genres of music, it becomes refreshing to see a soundtrack return to a base of orchestral instruments.  This reminds me of older movies like Halloween,  Friday the 13th, and Psycho.  The soundtrack is composed by Joseph Bishara, known for his experimentation within his musical pieces, utilizing strange chords and synthetic effects to make the music more unsettling shows one of main traditions of horror soundtracks: experimentation.

Just look at a song like "Insidious Ch. 2".  It takes the beautiful sound of string instruments and puts them together to make a much more scary noise, with the quiet bass being used to lull you in like a whisper over your shoulder.  It takes you into the darkness, called the Further in the movie, and makes you anxious and worried about whatever jumpscare may come next.  I do not know what is coming, but it sure knows that I am, so it just waits for me to continue the movie.  It begs me to listen even though I know what's coming, just as I cannot look away from the screen when I know the monster is about to jump out.  


So Bishara knows how to take something beautiful and make it the complete opposite, connecting with the fans of traditional horror and even some musicians. Every time I listen to a songs like "Ghost photographs", "time to forget", "empty home" I find that I go into a trance-like state.  The songs are beautiful in their own right and while some would disagree definitely take some finesse to create.  The sounds are very subtle and are that way intentionally so.  These songs still have an underlying sound of horror and despair, but they are so smooth and calming that you, as a viewer, lower your guard for just a few moments and become unprepared for the next minute or two.

They are there to bring viewers in and keep them listening and watching the movie.  This is where the idea that horror has been shaped by the average person comes into play.  Most people fear ominous music and over time people have shown a sense of security around music that seems calm and subtle.  In "Don't You Dare" the song tries to bring the viewer into a calming (if you can even call it that) state which is turned around at 0:26 by the entrance and build up violins and piano to bring back the ominous feeling and at 0:57 and 1:50 throw the viewer right back into the hell they know they are there for.



Horror is something that is supposed to scare and so what would a horror movie be without some jump scares to take the viewers and give them all heart attacks at the most inopportune times.  These have always been part of horror and you can almost see at least one jump scare in every horror movie seen.  Take "only Ghosts left" which begins very strangely with unnerving chords and notes.  It just screams that something bad is going to happen and then at 0:45 the song takes a complete turn and becomes very calming and fades out, but it is not finished.  At 1:08 a cacophony of sounds hits me and I can feel my heart start beating within my chest.

Other songs like "this is My room" do not care to make you feel safe or calm at any point.  The song is truly focused on making you unsettled and on edge.  It wants you to react to it and become paranoid for the next 10 min in anticipation of a jump scare.  It also causes you to wonder what could develop next?  What could possibly be worse?



Beyond being scared or terrified, there is only one thing I find worse: not knowing what is out there.  "are you Here" is a perfect example of this sort of mystery that has come back time and time again in horror.  Horror utilizes this because culture and human nature as a whole wants to fill in the pieces of something not understood.  Through the ominous sounds present throughout the entire song the listener can still hear some kind of searching or emptiness within it.  The song uses this emptiness to pull in the viewer and get them thinking without them even knowing, it works with the scene to have the viewer begin wondering.  They do not know what is there or if anything is there and hence the title of the song itself.  They fear what they do not know or understand (like many people) and want to make sure they know what is attacking them.  They just want to know why like so many other people in the world.

The way this soundtrack, and any good horror movie soundtrack, succeeds is if it takes a seat in the background and puts ideas in the subconscious of the viewer and pits their imagination against them.  They never know what is coming and it causes the fear to be universal.  Everyone watching the movie feels the same and looks over the music in the background of the tense scenes.  As I mentioned earlier, horror is something that brings people together.  As a group of people watching the same thing, we all feel the same thing and fear the same thing.  It is this ability to bring all types of people together that really says something about culture and horror movies (heck, all movies) as being something larger than a two hour span of jump scares, suspense, and mystery.

Insidious: Chapter 2 (Original Motion Picture Score) is a great example of a horror soundtrack and works well with the movie itself to instill fear in the viewer.  It does exactly what the best horror movies of the past have done: experiment.  It takes the traditions and ideals of traditional horror and slightly tweaks them in an attempt to give the viewer a new experience that really gives me an uneasy feeling every time I watch it.  I know that when I watch this movie, the story can bring me in and raise my heartbeat and the soundtrack can make me feel cautious and unsafe.  Bishara has created many horror soundtracks before and it does not feel like he let any horror fans down in the making of this one either.  But anyways, next time you hear something in the darkness, listen to the background music.


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