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Sci-Fi in the Soundtrack of Interstellar *REVISED*

What does Sci-Fi bring into your mind?  Lightsabers and blasters?  Exploration and space?  The worlds that the sci-fi genre created have lasted and expanded over the decades they have existed.  The lore behind them grows and becomes more elaborate with each installment in a series.  Even so, sci-fi has grown over the years from a fantasy galaxy or society to a very realistic concept in which we have taken technology from and now use normally in today's world, such as old razor cell phones looking like the Star Trek communicator.  So seeing that this genre has moved into the space of Interstellar and its portrayal of the aspects of Sci-Fi really interested me.

The music of this genre can be categorized in many different ways, but stick very closely to a few themes: mystery, awe, excitement, and, at some times, fear.  The music from older movies, such as Star Wars, always worked to captivate the viewer through its complex sounds and exciting movements within the music.  Even so, the soundtrack of such movies knew that space is a very mysterious thing and would lower the volume of the soundtrack in comparison to other audio to show that space is just that.  Over time, movies like Interstellar have begun to flip from the loud, complex pieces to the mysterious and have started creating quieter musical pieces that flourish in the scenery of space and show a deep appreciation of its horrifying beauty.

Here is an example of a song from the well-known Star Wars saga:



Here is an example of a song from Interstellar:



Notice the differences and similarities between the two?  Each has an air of mystery, yet fulfills a sort of excitement as well.  Not every song in these two soundtracks are like these, but they accurately portray a large portion of each of these respective soundtracks.  

The Interstellar soundtrack was composed by Hans Zimmer and works very greatly with the actors and cinematography of the entire movie to give the viewer the goosebumps whenever an important scene is occurring.  It has, like many movies in today's world, taken a more synthetic sound in its soundtrack, though it does use some instruments like pianos and organs to give it the older authentic effect.  It still focuses on the older themes that have stood throughout the life of sci-fi soundtracks through the use of unsettling chords and mysterious, almost unexplained, bits of sound.

"Afraid of Time" is a perfect song for this movie and explains the main idea that the movie has.  It just makes sense that this song would be in this movie, since it focuses on mystery and exploration.  The song is very quiet and timid just as many other songs present in the soundtrack.  Relying only on a piano as the main input for sound with a looped background sound for the first half of the piece, it seems very lonely.  It is like the two instruments are having a conversation, but one cannot hear the other.  In the vastness of space, you are very much alone compared to the population that Earth has and the music portrays this beautifully.  The title even suggests another trait that can be found in this song: fear.  Fear of the unknown (such as time and space)? Or is it simply referencing the fear that the father, Mann, has of his daughter, Murph, being old or dead by the time that he returns.  He has left his child alone on a world that is dying and fears that time will take her away from him in multiple ways.  

Another aspect of the movie is the awe-inspiring view that space and its vast expanses have to give to the viewer.  In the movie, many of the objects we see are things like black holes, planets, and, at one point, a wormhole.  The track "The Wormhole" comes from that very point and its pulsating sounds, common in sci-fi soundtracks, and strange chord arrangement give a very intense and scary feeling in the viewers mind and cause the viewer to feel slightly stressed, yet it twists when the song begins to crescendo at the end and the tone changes for a slight moment and the light background noise behind the pulsating sounds pulls forward into the light and gives the reader a sense of amazement at the place through which the characters have just transported through.  "Mountains" works towards this sense of awe as well as the characters have landed on a planet completely covered with water, with mountains in the distance, the view of the planet shows the variety of the galaxy and what there is out there past the Milky Way.



Though it is shrouded in mystery and has very subtle sounds to keep the viewer in a sense of awe at the beautiful visuals of black holes and wormholes, it has some points where songs like "Cornfield Chase" come in.  "Cornfield Chase" is not a mysterious track that tries to hide itself, it expands itself in excitement at what could be next.  In the scene, the characters are following a drone through the cornfield outside their house and watch it in awe as they look at it moving around so smoothly and naturally.  The song starts very subtly, but picks up as it plays on and on.  At 32 seconds the song picks up and the tone of excitement is beginning to set in.  Then at 40 some string instruments move in to further continue the growing array of sounds.  Finally, at 52 seconds the organ moves in to take it even further lifting me off the ground as if I were the drone flying away, just as the characters feel in those moments.  Though the excitement has to end at some point and it ends abruptly as all the instruments just break off and leave the room in silence as the drone disappears over a cliff.  Take a moment to listen to the excitement of this piece:



The soundtrack of Interstellar is the pinnacle of what it means to be a good soundtrack.  It takes the scenes and all parts of the movie and acts as a glue to ground the whole piece as complete and able to be experienced fully.  It gives the viewer chills and makes sure to keep everything interesting.  Interstellar and its soundtrack give off a much different feel and work on appreciating the beauty that is to be given from space.  Each song within the soundtrack fits into the theme that sci-fi soundtracks in the past have set, but Zimmer has taken the technical aspects of it to a different place, making it a piece in a new version of the science fiction genre.  Interstellar is a beautiful movie and the soundtrack is no less beautiful with its elaborate, yet simple movements and sounds.  The soundtrack is just well-made and it gives its own idea of the music that the sci-fi genre should hold.  The music is very moving and it really captures the essence and feeling of the movie that, as a whole, it was trying to give to the viewer.  So take some time to appreciate the sounds that come from this beautiful sci-fi movie and next time, listen to the background music.


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Soundtrack Review: Guardians of the Galaxy *REVISED*

In all my time of watching movies, I have never watched one so fun as Guardians of the Galaxy.  The cast is amazing and the soundtrack behind all the action just makes the movie all that more entertaining.  The movie is set in the distant future in the Marvel universe.  The movie has a very comedic and energetic tone that is shown through the actors and their antics throughout the plot of the story.  Like Peter Quill having a dance-off with the main antagonist to distract him from destroying the world.  To be completely honest, the songs that were chosen for this movie and put into Guardians of the Galaxy: Awesome Mix Vol. 1 are so essential to the movie that the director, James Gunn, stated to Rolling Stone, "The Walkman and the compilation tape inside of it is the heart of the film."  

The music that James Gunn placed into this movie all came from the 60s to the  80s and portrays the many different genres that were popular in those times.  These three decades were filled with upbeat, optimistic, slick, and charming lyrics and sounds.  The music varies from soft to hard rock and from disco to funk.  The soundtrack perfectly captures the essence of this period of music through its balance of the genres.  It has songs like "O-O-H Child" filled with soul and then rock songs like "Hooked on a Feeling."


It definitely becomes the "heart of the film" within the first five minutes of the movie as one of the main protagonists, Peter Quill, dances across a room to "Come and Get Your Love" by Redbone.  The music contrasts the setting of the scene and has me feeling hopeful even in the dark and desolate ruins.  The song gives a great first impression of how the music will be with its oldies-like sounds and vocals that send me to a different time and place.  It gets me in the mood for another interesting movie, story, and sets a basic tone for the movie as a whole in a record breaking 1 minute and 43 seconds.  




Though this upbeat tone that "Come and Get Your Love" gives is just that, and nothing more, and as the movie progresses and songs like "Hooked on a Feeling" and "Escape (The Pina Colada Song)" are placed periodically we find that they only serve as comic relief from the intense story.  I love the movie and its soundtrack, but the songs are all used as a type of comic relief.  The songs are beautiful and each one is a piece of those three decades brought to the modern day, but in the context of the movie they are not used to pull me into the story and make the experience that much more amazing, or maybe they do.

Many reviews that I have read of this soundtrack have mentioned how they do not utilize the songs in the best manner, but from what I can tell after watching the movie and listening to the songs again, they should be judged for what they seem to be doing.  They are used to bring nostalgia and contrast a dark story with an uplifting tone.  So songs like "Hooked on a Feeling" are placed perfectly when seen as being placed to give the viewer the ability to smile and laugh as the main characters are beaten through a high security prison.  Also with "O-O-H Child" as the main character distracts the main antagonist to this song, it distracts me from the fact that so many civilians are behind him waiting for the antagonist to destroy their planet and wipe them away.  So looking at the songs from their original purpose and perspective truly shows how well this soundtrack does its actual job, though there are some songs that do get placed where traditional soundtracks would.

Such as midway through the movie, when Gamora and Peter are on the balcony and "Fooled Around and Fell in Love" comes on.  The slick guitar pulls me right into the moment of the two characters dancing and makes sure that I understand the romantic tension between the two characters.  The song is placed perfectly and shows really shows the full potential of the placement of the songs in this soundtrack.  The songs romantic overtone and smooth lyrics fully complement the scene and the feeling it is supposed to evoke in the viewer.  

Another song that shows this traditional placement and show how a song can have an impact on the movie is "Ain't No Mountain High Enough".  The song is placed at the very end of the movie after the antagonist has been defeated and gives me the sense of finality that the end of a movie should give.  As Marvin Gaye's voice comes into the speakers and begins with "Listen baby..." I could sense that the story was over and the resolution had begun.  The protagonists had defeated the unstoppable antagonist and the music's final, determined tone makes me feel the protagonist's accomplishment as if it were my own.


To be honest with you the soundtrack is amazing and has very good music that portrays a common theme and gives a lot of life to the movie, but it fails when it comes to the placement of the songs within the movie.  If the placement of the songs was executed in a better way the soundtrack would be near perfect, but nevertheless that is not the case.  The soundtrack will appeal to many groups because of its variety, and not to mention the nostalgia.  So on a final note, Guardians of the Galaxy: Awesome Mix Vol. 1 is a great example of how good some soundtracks can be, but how poorly they can be executed and always remember when you next watch a movie, listen to the background music.

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